Fuse watches the first night of Restoration comedy, The Way of the World, at The Crucible.
Fuse watches the first night of Restoration comedy, The Way of the World, at The Crucible.
As one of the Bard’s lesser-known and infrequently commissioned problem plays, Propeller’s production of The Winter’s Tale makes us question why it does not carry the same status as your typical Shakespearian tour-de-force.
The Company’s Maskerade at the University Drama Studio.
Malvolio’s jarring threat at the close of Twelfth Night, to become “revenged on the whole pack of you”, reaches fruition in Tim Crouch’s unsettling solo performance in The Crucible’s Studio.
Beloff claims her works acts as a medium between the living and the dead. And “The Infernal Dream of Mutt and Jeff” is no exception. It looks to introduce us, the living, to old film equipment, the dead.
Everything about The Old Sweet Shop in Nether Edge whiffs of romanticism: from the name to the location to the ethos to the artists. Their new five-year anniversary exhibition fulfils its romantic image exactingly.
Fuse watches Company’s opening night.
If the idea of watching a single man perform Dickens for an hour and a half sounds dreary to you, think again.
The Sound of Heavy Rain concludes Sheffield Theatre’s Roundabout Season
Fuse popped down to SUPAS’s Guys and Dolls at the University Drama Studio